Unpublished text, signed original work, unique for each copy

Jean Le Gac delivers his personal mailing. The original work included in the book is a letter from the artist, accompanied by a photo addressed personally to the reader.

Unpublished text, lithography, enhanced with pastel for each copy and signed.

A Costes' record about jazz!

Three songs about death and illness, with the participation of Didier Petit and Noël Akchoté.

This monograph gathers a collection of essays which attempts to define the multi-form notion of “presence” formulated by Bustamante in his work.

This monograph gathers a collection of essays which attempts to define the multi-form notion of “presence” formulated by Bustamante in his work.

Unpublished text with an original silkscreen print signed by the artist.

Art production of the last few decades has given rise to an increasing number of ambiguous or paradoxical situations related to the musical form (score, stage area, lute-making, CD, video...) thus transcending the traditional divisions between space, time and movement.

Art production of the last few decades has given rise to an increasing number of ambiguous or paradoxical situations related to the musical form (score, stage area, lute-making, CD, video...) thus transcending the traditional divisions between space, time and movement.

This book reproduces a series of gouache drawings by Jean-Charles Blais, which uses a hand bandaged as pattern, drawn in very close-up.

Monograph.

Nine oils and collages on canvas.

Catalogue documenting the eponymous installation—250 clocks and 250 hammers mounted on a wall—especially commissioned by Le Magasin in 1987. The publication includes texts by Jacques Guillot, Franz Kaizer, Dominique Gonzales-Foerster, and René Denizot.

Silkscreen (120 numbered and signed copies limited edition).

Special offer for the purchase of the 6 books / DVDs.

An essay on Jean Genet and the gender performance.

A complete panorama of the astonishing personality of the unknown writer, grammarian, cosmologist and inventor.

A graphic collation and synthesis of diverse collected material raising questions and encouraging dialogue around the images (artist's book).

Monograph dedicated to the work of French television filmmaker, producer, scenarist, and video art pioneer Jean-Christophe Averty.

Jean Dubuffet, Art Brut, and the primitivist paradigm.

This illustrated essay creates a dialogue between the works of Fluxus artist Jean Dupuy and dadaist Marcel Duchamp around their shared interest with eroticism.

Godard and Corman have worked concurrently on the same themes and subjects, using similar stylistic devices and production techniques. The fact that this affinity has so far remained undiscovered has its explanation in hard-set opinions and judgment criteria. Harald Harzheim has now succeeded in breaking this mindset, enabling us see the work of these radical independent filmmakers in a completely new perspective.

The reception of Jean-Luc Godard's oeuvre by American visual artists.

This second issue brings together contributions reflecting on the political commitment and literary work of Jean-Marc Rouillan, and shedding light on three of Rouillan's most important influences today: philosophers Daniel Bensaïd and Henri Lefebvre, and activist Pierre Goldman (with contributions by Véronique Bergen, Charles Pennequin, Julien Blaine, Rada Ivekovic, Pierre Linguanotto, Laurence Denimal, Stéphane Nowak Papantoniou…).

A closer reading of the late poetry of Jean Hans Arp (1886-1966), major figure of the Dada movement in Zurich, a friend of the surrealists, painter, sculptor, also author of an important bilingual poetic work, which covers more than half a century of creation (with a choice of poems previously unpublished).

Three films on the art of copying & the works of painter Jean-Baptiste Chardin.

A reflexion on painting and image, and its artistic, philosophical, political aspects.

The series of "Papiers Ouverts" by Jean Degottex (1918-1978) created in 1974 and poems by Maurice Benhamou fed the improvisations of the two musicians. Ghosts, ruins, stars, rubble ... punctuate this work recorded in Belgium, Monos gallery.

A portrait of painter Max Schoendorff through a long-lenght interview, a collection of writings and paintings, and a sketchbook.

Conférences sur l'affinité de la peinture avec le reste des beaux-arts (“Conferences on the affinity of painting with other fine arts”) shed a new light on the career of the inventor of the famous Morse code, best known at his time as one of America's most promising painters of his generation.

The heighth volume of Rémy Zaugg's complete writings (1988-1989): a portrait of Jean-Christophe Ammann.

Soun-Gui Kim engages her collaborators—philosophers Jacques Derrida and Jean-Luc Nancy, and John Cage—in conversation about contemporary art and the relationship of artists to the globalized art world and market, from the perspective of Eastern thought.

A literary and philosophic exploration of the various states of sleep. Embark upon a dreamlike path to the heart of sleep through the reading of four texts by Michel Butor, Clément Rosset, Pierre Pachet and Jean-Luc Nancy, and a series of sleepers.

A massive anthology of photographs made by Ari Marcopoulos between 2009 and 2018, featuring an introduction text by the artist as well as an essay by art critic, curator, and New York figure Bob Nickas..

Jean-Christophe Thomas analyzes François Bayle's complete work in 52 recurring features.

Experimental poetry, historical avant-garde, contemporary music, dance, visual arts, intermedia...

Gathering reflections and testimonies of exhibitions realized by Yann Annicchiarico in various countries, this looks back at a unique state of perception, related to the experience of emptiness and to the suspension of attention, an essential element in the artist's research.

The facsimile of a never-before-published catalogue, documenting a Milanese exhibition banned by the police in 1992, renders the productions and stances of a group of Italian artists in the artistic context of the time.

The first issue of the biannual magazine that extends and broadens the questions raised by the thematic program of La Criée art center in Rennes, imagining forms of resistance and alternatives to the various crises—ecological, as well as post-colonial, political and social—that punctuate and shape our globalised societies.

An "ABC of the arts in transition" examining the ecological turn of the arts, the outcome of long-term collective research into the fundamental elements running through the art world and, more generally, the aesthetic and social universe in the current ecological crisis.

Renewing our understanding of Ruscha's art.

A collective exploration of the relationship between contemporary art and archeology.

A glossary of themes running through the work of Élisée Reclus (1830-1905), reflecting the contemporary relevance and diversity of the anarchist geographer's thought.

a panoramic view of John Cornu's practice since 2006, with thirty-eight works accompanied by thirty-eight texts by historians, curators, conservation experts, art critics, and contemporary artists, with as many different approaches and possible readings.

Pierre Wat invites artists from both sides of the Atlantic to share their views of Sam Francis (1923-1994).

Sébastien Gökalp invites artists from both sides of the Atlantic to share their views of Eva Hesse (1936-1970).

A collective work examining fifty years of poetic activity by Bernard Heidsieck (1928-2014), a central figure in sound poetry and performance poetry, a major poet of the second half of the 20th century, along multiple axes.

Two revenant stories by Léon Bloy (1846-1917), with music by Nurse With Wound.